centering pin - meaning and definition. What is centering pin
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What (who) is centering pin - definition

TYPE OF FALSEWORK: THE TEMPORARY STRUCTURE UPON WHICH THE STONES OF AN ARCH OR VAULT ARE LAID DURING CONSTRUCTION.
Centering

Spring pin         
  • Coiled spring pin.
  • Slotted spring pin.
MECHANICAL FASTENER THAT SECURES THE POSITION OF TWO OR MORE PARTS RELATIVE TO EACH OTHER
Roll pin; Sellock pin; Coiled spring pins; Mills pin; Tension pin
A spring pin (also called tension pin or roll pin) is a mechanical fastener that secures the position of two or more parts of a machine relative to each other. Spring pins have a body diameter which is larger than the hole diameter, and a chamfer on either one or both ends to facilitate starting the pin into the hole.
Pin-Bot         
1986 PINBALL MACHINE
Pinbot; Pin*Bot; Pin Bot; PIN•BOT
Pin-Bot (styled PIN•BOT) is a pinball machine released by Williams in October 1986. It was designed by Python Anghelo and Barry Oursler.
Pin compatibility         
ELECTRONICS DESIGN TECHNIQUE
Pin compatible; Pin-compatible; Pin-compatibility
In electronics, pin-compatible devices are electronic components, generally integrated circuits or expansion cards, sharing a common footprint and with the same functions assigned or usable on the same pins. Pin compatibility is a property desired by systems integrators as it allows a product to be updated without redesigning printed circuit boards, which can reduce costs and decrease time to market.

Wikipedia

Centring

Centring, centre, centering, or center is a type of formwork: the temporary structure upon which the stones of an arch or vault are laid during construction. Until the keystone is inserted an arch has no strength and needs the centring to keep the voussoirs in their correct relative positions. A simple centring without a truss is called a common centring. A cross piece connecting centring frames is called a lag or bolst.

Centring is normally made of wood timbers, a relatively straightforward structure in a simple arch or vault; but with more complex shapes involving double curvature, such as a dome or the bottle-shaped flue in a Norman-period kitchen, clay or sand bound by a weak lime mortar would be used. Shaping could be done by eye, perhaps with the help of a template, then stones or bricks laid against it. On larger works like a 19th-century pottery kiln this was impractical. The structure would be built round a post acting as a datum, and each course of stonework would be set at a distance from the datum.

When the centring is removed (as in "striking the centring"), pointing and other finishing continues.